The Record Plant Sausalito

The Record Plant Sausalito: 1972–2008

2200 Bridgeway, Sausalito, California. The third Record Plant, and the only one still standing.

What it was

The Record Plant Sausalito opened in October 1972 at 2200 Bridgeway, a few minutes' walk from the ferry landing, and closed as a commercial studio in 2008. It was the third and last of the Record Plants that Gary Kellgren and Chris Stone built, after New York in 1968 and Los Angeles in 1969. The New York and Los Angeles rooms are gone. Sausalito is the one still standing.

The idea behind it was simple and, at the time, slightly heretical: a studio should be somewhere a band wants to be. Kellgren's rooms were built to be lived in — low light, deep furniture, a kitchen, a lounge you sank into rather than perched on. The engineering was serious, but the design brief was hospitality. Records got made because people stayed.

Why Sausalito

By 1972 the Bay Area had the bands and the audience but not enough serious multitrack capacity. Acts recorded in Los Angeles and came home. Sausalito answered that: a room across the Golden Gate Bridge from San Francisco, on the water, an hour's drive from most of Marin's musicians and a short trip from the city.

It also mattered that Sausalito was not Hollywood. Sessions ran on their own clock. The waterfront and the houseboat community set the tone as much as the console did — which is a real part of why certain records made here sound unhurried.

Chapters

The full chapter-by-chapter history. Each chapter has its own page with sources.

  1. 011968–1972The Building and the FoundersHow two engineers with a vision drove across the Golden Gate and changed American recording.
  2. 02Oct 1972Opening Night — October 28, 1972The Halloween masquerade that became rock-and-roll legend.
  3. 031973–1979The Golden EraSly Stone, Bob Marley, Fleetwood Mac, and the KSAN broadcasts that invented live studio radio.
  4. 041977–1987Club FedFederal agents, a piano, and the only government-run recording studio in American history.
  5. 051988–2008The Frager EraMetallica, Santana, and the man who kept the lights on for two decades.
  6. 062008–2020The Fallow YearsThe doors close, and Mick Fleetwood makes a pilgrimage to a shuttered room.
  7. 072020–presentThe RevivalThe circle closes, and the last Record Plant comes back to life.
  8. 081972–presentThe ArtistsRecord Plant Artists, A Selected Timeline.

The rooms

  • Studio A

    The large tracking room. Its ceiling was raised during the Frager era to handle drums at volume; it is the room most often meant when a credit just says 'Record Plant, Sausalito'.

  • Studio B

    The smaller, tighter room — overdubs, vocals, mixes, and a great deal of work that never carried a separate credit.

  • The Pit

    The sunken lounge. Part of the studio's working mythology as much as its floor plan: the place sessions actually happened between takes.

  • The Garden

    Outdoor space behind the building. Sausalito's argument against Los Angeles: you could walk outside, and the water was right there.

The rooms in detail →

Sessions we have documented

A selection, not a discography. Each of these has its own page with sources.

All artists →Search the archive →The KSAN broadcasts →

The tapes, and what survives

Most of what happened in the building was never released. Session reels went home with producers, into label vaults, into garages, and in some cases into landfill. What we can document comes from a mix of surviving reels, session logs, credits, photographs, broadcast recordings, and the memories of people who were in the room.

The KSAN live broadcasts from 1973 to 1975 are a distinct and unusually well-preserved thread: the station carried live sessions from the studio, and a large portion of that material survives as audio. Those broadcasts are catalogued individually in this archive, and roughly sixty-four of them can be played here — either from inside the article about that night, or straight through on Plant Radio, which streams the surviving broadcasts back to back.

If you only do one thing on this site, do that: start the KSAN overview for the story of how live studio radio was invented in this building, then let Plant Radio run while you read.

Listen

The KSAN broadcasts, and Plant Radio

Live radio from 2200 Bridgeway, 1973–1975. Read the night, or just press play.

All sixty-four surviving broadcasts →

The building today

2200 Bridgeway is a working studio again. The rooms have been restored rather than reinvented, which is the harder and slower option, and the archive exists alongside the working business rather than in place of it.

This page is the front door to the history. The studio itself — rates, rooms, booking — lives at 2200studios.com.

How we know what we know

Every claim in this archive is meant to be traceable. Where a date, a credit, or an attribution is contested, we say so on the page rather than picking the tidier version. Where we have only an oral account, it is labelled as one.

This page is a summary and a map. The detail — with sources — sits in the chapters, the artist pages, and the archive entries linked throughout.

More ways into the archive

Essays

  • Industry · May 2026

    Death of the Big Studio

    How the great commercial rooms of the 70s and 80s collapsed in the 2000s, and why a handful, including 2200, refused to die.

  • Room Theory · May 2026

    The Sound of a Room

    Tom Hidley built the rooms at 2200 Bridgeway in 1972. Everything that has made this building extraordinary starts with what he put inside the walls before any of the artists arrived.

  • History · May 2026

    Buzz Me In: Inside the Record Plant Studios

    The definitive book about the Record Plant has finally been written.